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At the same time he is sufficiently gushing to be sure to keep his American impresarios happy, presumably the likelihood of further lucrative touring not an insignificant consideration.
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#Estey organ co william haskell professional#
Donald Harrison and perhaps a grudging desire for France’s pedagogical system and professional organ scene to learn from that of the Americans. Some assertions hint at an agenda: admiration for aspects of American instruments, in particular their action, while unable to refrain from some nationalistic bias in his narrative, and taking a swipe at (likely) Ernest White and possibly even his old friend G. There is very little groundbreaking information here, it is not all entirely accurate-some of his assessments are suspect to the point of spurious-and interest lies principally in these idiosyncratic impressions coming from Dupré himself. The content would admittedly be of less interest if it were not written by a figure such as Dupré. Dupré’s first American tour was in 1921, and his observations thus span almost forty years. Further, the American Classic approach to organ reform was sufficiently advanced for Dupré to comment unfavorably on its extremes. Skinner was still alive (he died in 1960), and Dupré appears to make reference to the American innovation of the Doctor of Musical Arts degree, launched in 1953. It is undated, though from its content can be placed in the late 1950s: Ernest M. The article below, in Dupré’s predictably meticulous handwriting, is apparently unpublished. A finding aid is available through Sibley’s website ( Alongside manuscripts, correspondence, and writings by Falcinelli, the collection includes a number of writings by Marcel Dupré, whose association with Falcinelli as mentor and subsequently colleague is well known. Find a more comprehensive history of the company here.The Sibley Music Library of the Eastman School of Music, Rochester, New York, houses the collected papers of Rolande Falcinelli, professor of organ at the Paris Conservatoire from 1955 to 1986. Employing some 500 people in ‘fireproof’ slate clad buildings (still standing) the Estey company was the pride of Vermont. A big sounding organ can now be placed in a small space thanks to these pipes.Įstey also employed women in the factory as tuners at a time when women did not work out of the home. Haskell basses, so named after William Haskell who was in charge of the organ department, are bass pipes within a pipe which allows a more compact design. The reedless reeds were able to hold their tune where a Reed pipe needs constant attention. Among the more famous ones were Reed voices using flue pipes allowing organs to be used in country churches where maintenance was infrequent. The Estey firm held many patents and innovations which are still used in organ building today. In 1901, they opened the pipe organ department and manufactured 3200 pipe organs. (1846-1961) manufactured 520,000 Reed or pump organs in that time. The Estey organ was manufactured in Brattleboro, Vermont about 60 miles southwest of the church is. Swell to Swell 16,4 Swell Unison Off PEDAL (32 pipes) Unusual are 5 mechanical thumb pistons which can be programmed, albeit not easily.Ĥ Swell to Great 16,8,4 Great Unison Off SWELL (73 pipes each stop except as noted)
#Estey organ co william haskell manuals#
In excellent original condition, it has tubular pneumatic action and 8 ranks of pipes on 2 manuals and pedal. This is the church’s (1786) first pipe organ. This Opus 2828 pipe organ, installed in 1929 at a cost of $3250, was a gift from brothers David and Mark Sheldon.